Fiddler on the Roof (1971)
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- Themes
  
    - Bible
    
      - "As the good book says, when a poor man eats a
            chicken, one of them is sick." (Tevye)
 "Where does the book say that?" (Mendel)
 "Well, it doesn't say that exactly, but somewhere there is
            something about a chicken." (Tevye)
 
- Call
    
      - "I know. I know. We are your chosen people.
            But, once in awhile, can't you choose someone else?" (Tevye)
 
- Tradition
    
      - 
            
              Fiddler on the Roof works
              brilliantly to illustrate the primary tension of Paul's Letter to
              the Galatians:  life of the Spirit v. life under the Law -
              or Tradition.   I had found Galatians tough to
              teach because it was too easy to set the formula as (1) Paul is
              correct, (2) the legalists are stupid, (3) therefore learn
              Galatians 3:16 "I have been crucified with Christ...",
              memorize the Fruit of the Spirit and then call it a day. 
              However, the book made no sense without explaining the powerful
              pull of the legalizers upon not only the Hebrew Christians
              but upon the Greeks converts who were now hungry for moral
              boundaries after being saved from their libertine culture. 
              Imagine a formerly debauched fraternity boy first converting and
              then struggling how to shape his new life. 
             
              It all came together through the first
              scene of Fiddler.  Tevye walks around the
              village, introduces the town folk and then discourses upon
              TRADITIONS!  He asks:  "Why do we have these
              traditions?  It is because they help us to know who we are
              and what God expects of us."   All of this was
              emphasized by the film editing that depicted a different
              Jewish symbol with every pounding pulse of the song.  
             
              Use of the film instantly crystalized
              the issues of Galatians for my class.  It explained why Paul
              had such a challenge when writing his letter:  he had to
              argue for the superiority of life under the gospel as
              directed and energized by a seemingly ephemeral Holy Spirit in
              contrast to the life under the Law with its tangible
              moral and social boundaries provided by Old Testamant signs,
              symbols, customs and precepts.   The film was so
              powerful that it became a touchstone for the entire eight weeks of
              my course. (Duncan Maysilles, Atlanta, GA)
             
               
             
 
 
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